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The Fairytale of New York
by Richard Lloyd

Gallery Review

Preview

Melodrama, magic and mystery set in the riotous world of 1930’s Vaudeville.

A festive treat with a difference. A dash of ‘Annie’, a twist of ‘Cabaret’, and great big helpings of melodrama, mystery and rip-snorting comedy. Plus some of the greatest songs from the shows you could ever wish for. A great family entertainment for all ages.Macey Maguire has a dream – she’s going to make it big on Broadway. Arriving penniless in New York, Macey gets a break at Delancey’s, the city’s last Vaudeville theater. Soon she’s rubbing shoulders with the troupe of variety artists who ply their trade in the old music hall. But the public’s appetite for burlesque is on the wane, the theater’s finances are on the rocks, and the entertainers are squabbling like rats in a sack. Organised crime wants the real estate the theater’s built on, and worse still, members of the company keep disappearing into thin air… And nobody – not the theater management nor the New York Police Department – can figure out where they go. But they’ve all reckoned without Macey Maguire…

 

Cast Details:

Macey Maguire – would-be star and ingenue

Indianna Scorziello

Mickey Pavlova – street kid

Anya Destiney

Lola Tzcherksk – street kid

Becka Blanchard

Gipsy Rose Lee – songbird and fortune-teller

Tanya Alizai

Hiram T Bagel – owner of DeLancey’s Theater

Chris Argles

Talleyrand – Stage Manager

Tim Young

Janey Ditsum – Runner

Hannah Montgomery

Jimmy Doo-Dads – street kid & rat impersonator

Noah Payne

Trixie the Vermont Cavegirl

Kimberley Argles

Mixie the Vermont Cavegirl

Lisa Lloyd

Roxie the Vermont Cavegirl

Lucy-Ann Martin

Frankie LeGrand – bit-part actor and dinosaur

Sean Young

Theodore Drake-Henchard – tragedian

Paul Ford

Wierd’ Willy Spondecker – the three-legged boy

Peter Bird

Rosa Crouch – the bearded lady

Rachel Handler

Perluigi Spinetti – local mobster

Bruce Montgomery

Zelda Bortolami – Spinetti’s murderous moll

Dawn Lock

Detective O’Malley NYPD

Mike Brown

Officer Banahan NYPD

Sean Young

Crazy’ Eddie Kuffs – escapologist

Steve Jacobs

The Great Marengo – magician and illusionist

Joe Wilson

Six-Gun’ Annie McGraw – wild-west act

Penny Payne

Band Details:

Piano

Mark Taylor

Bass Guitar – Mandolin

Simeon Dawes

Guitar

Keith Lewis

Guitar – Banjo and Strange Noises

Jeannie Lewis

Drums

Ryan Newby

Viola

Elanor Wexler

Technical Crew Details:

Director

Richard Lloyd

Musical Director

Mark Taylor

Vocal Director

Tanya Alizai

Choreography and Movement

Emma Griffin

Stage Crew

Steve Harris

Stage Crew

Andy Hall

Stage Crew

Guy Harries-Rees

Stage Crew

Trevor Wilson

Prompt

Catherine Vines

Additional Choreography

Becka Blanchard

Stage Lighting – operation and design

Steve North

Stage Sound – operation and set-up

Kathy Dawes

Stage Sound – set-up

Simeon Dawes

Set Construction

Mike Brown

Set Construction

Steve Harris

Set Construction

Andy Hall

Set Construction

Chris Argles

Set Construction

Penny Payne

Set Construction

Anya Destiney

Set Construction

Paul Ford

Set Construction

Trevor Wilson

New York Fire Hydrant

Steve Harris

Marengo’s Magic Machinery of Doom

Keith Lewis

Bagel’s Swordcane

Mike Brown

Wardrobe

Sheila Bird

Wardrobe

Kathy Dawes

Wardrobe

Lyn Hall

Wardrobe

Dawn Lock

Wardrobe

Michelle Tomas

Properties and Ephemera

Paul Ford

Publicity and Promotion

Paul Ford

Poster Design and Photography

Sean Young

Rehearsal Photography

Lyn Hall

Box Office

Julia Young

Box Office

Tim Young

Reviewed by Peter Steptoe for The Croydon Advertiser

Theatre Workshop Coulsdon is always ambitious in what it attempts. On the face of it, a backstage musical depicting the 30’s replete with hit songs from that era does not suggest originality, but what was excellent was their standard of performance. The orchestra under their director Mark Taylor was unobtrusive but compelling musically and the singing commendable. Under the vocal direction of Tanya Alizai we had amongst some great songs a memorable ‘All That Jazz’. Choreography and movement was by Emma Griffin and the latter is extremely important where actors are not trained dancers. Richard Lloyd, the author and director, will not mind me saying that the plot was perhaps a little fanciful and impossible, but despite this kept me wondering and interested. The setting was the last Vaudeville theatre in Lower Manhattan, where the cast kept disappearing without trace. Macey Maguire (Indianna Scorziello) arrives penniless but becomes a sort of star detective in solving the mystery with a good voice and an excellent pair of legs. Hiram T Bagel was played by non-singing Chris Argles with dignity as the theatre proprietor and his dapper stage manager Talleyrand (Tim Young) had the gift of a throwaway line. Among memorable Vaudeville performers were Gypsy Rose Lee (Tanya Alizai), great voice, and Trixie (Kimberley Argles), Mixie (Lisa Lloyd) and Roxie (Lucy-Ann Martin) who seemed like refugees from Cinderella’s Ugly Sisters, except that they were good looking. My only criticism is perhaps fewer in cast to give room for more character development; otherwise brilliant.

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