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The Merry Wives of Windsor
by William Shakespeare

Reviewed by Donald Madgwick for The Croydon Advertiser

The garden of The Woodman pub at Woodmansterne provides a great natural open air setting, and this year Theatre Workshop Coulsdon have excelled themselves in a peach of a production by Richard Lloyd of Shakespeare’s only English comedy (Forget the Forest of Arden in As You Like It: that’s Ardennes, stupid).

The hand of the director can be detected in many a shrewd detail, making it easier to take a bit of the rough, such as Shallow’s marathon handshakes, with a large helping of the smooth.

The play, almost a “humours” comedy in the Jonsonian sense, produces a whole series of inspired portrayals, and oddly enough it is Falstaff himself, in the person of Mark Taylor, who in a measure disappoints.

No one need doubt his credentials as an actor, but any portrayal of the fat knight should begin from the inner core of that immense belly.

The lightly padded Mr Taylor neither looks nor acts fat, nor is he anywhere near decrepit enough for the old lecher he has become.

The quality of diction and delivery is exemplary, beginning with Richard Lloyd, in every way an outstanding Ford, the emblem of jealous husbandhood, wonderfully funny in disguise as Brook, and admirably contrasted with Mike Brown’s bluffly countrified Page.

Tanya Allison and Tina Poole are a great double act as Mistresses Page and Ford, laying the perfect traps for Falstaff’s tottering testosterone.

Simeon Dawes, too, is on tip top form as the Welsh parson Hugh Evans, and Neil Grew’s choleric French Doctor Caius made even me, a notoriously silent laugher, hoot out loud, by Gar!

Steve North’s Fenton needs to be bolder and more romantic, for after all he and Amy Coates, as Anne Page, have to carry the only scenes of true love this cynical comedy has to offer.

Chris Argles is a picture of pernickety senescence as Justice Shallow, while Luke Argles as his foolish nephew Slender, surely a first cousin to Sir Andrew Aguecheek, adopts a voice like Mrs Jean-Paul Sartre of blessed Monty Python memory.

Rosie Martin’s Mistress Quickly is a wonder to behold, driving little Matthew Proctor, a sly page boy, to steal away on all fours to escape her garrulity: another fine touch of direction.

Valuable contributions also from Tim Young’s sly Host and Bruce Montgomery’s sublimely dim Peter Simple; Paul M Ford, Jonathan Wales and Hugh Proctor as Falstaff’s followers; and Richard Hull’s long-suffering servant to Dr Caius.

A great evening.

 

Cast Details:

Robert Shallow

Chris Argles

Abraham Slender

Luke Argles

Hugh Evans

Simeon Dawes

George Page

Mike Brown

Sir John Falstaff

Mark Taylor

Pistol

Paul M Ford

Nym

Jonathan Wales

Bardolph

Hugh Proctor

Anne Page

Amy Coates

Mistress Page

Tanya Allison

Mistress Ford

Tina Poole

Peter Simple

Bruce Montgomery

The Host of The Garter Inn

Tim Young

Robin Falstaff’s Page

Matthew Proctor

Mistress Quickly

Rosie Martin

Jack Rugby

Richard Hull

Dr Caius

Neil Grew

Fenton

Steve North

Frank Ford

Richard Lloyd

John

Kevin Boot

Robert

Martin Coburn

Faries and Ouphes

Julia Swale

Faries and Ouphes

Mark Young

Faries and Ouphes

Lucy-Ann Martin

Faries and Ouphes

Philippa-Jane Martin

Technical Crew Details:

Director

Richard Lloyd

Music Composed and Played by

Mark Taylor

Vocals by

Tanya Allison

Vocals by

Claire Andreadis

Music Recorded and Engineered by

Simeon Dawes

Music and Sound Operation

Caitriona Farrell

Technical Coordinator

Simon Poole

Stage Sound and Effects

Peter Gregory

Stage Sound and Effects

Kathy Post

Stage Manager

Kevin Boot

Stage Crew

Martin Coburn

Stage Crew

Richard Daniels

Stage Crew

Michael Freeman

Stage Crew

Jon Stayte

Prompt

Penny Simeone

Box Office

Tim Young

Box Office

Julia Young

Set Design

Richard Lloyd

Furniture Construction

Mike Brown

Set Construction

Simon Poole

Set Construction

Kevin Boot

Photography

Mark Hobbs

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