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The Three Musketeers – Le Panteau
by Richard Lloyd

Review

 

Cast Details:

Cardinal Richeleeugh

Richard Lloyd

Le Chevalier Du Lobster Roquefort

Steve North

Capitan Pus-sac

Jonathan Wales

Malady De Splinter

Lisa Lloyd

D’Artagnan

Vanessa Hammick

Porthos

Rosie Martin

Aramis

Tanya Allison

Athos

Tina Poole

King Louis XXVLIIXVLIIIXXXVIII

Tim Young

Queen Anne

Amy Coates

The Duke of Tottenham

Neil Grew

Monsieur De Trivialle

Penny Payne

Dame Desir

Chris Argles

Constant Hon-hi-hon

Emma Rose

Zoot a Lor

Simon Crouch

Zach Rebleur

Heidi Bush

Plonquer

Peter Bird

Monsieur Hoh-hi-hon

David Cole

Tavern wench

Kimberley Argles

Maurice; Brother Bastinado

Mike Brown

Mother Inferior

Julia Swale

Gérard Drippy-Dew; Cardinals Guard

Julie Wilson

Brother Strappado

Luke Argles

Cardinals Guard

Paul Breden

Cardinals Guard

Chris Blakeney

Cardinals Guard

Chris Strachan

Technical Crew Details:

Written and Directed by

Richard Lloyd

Prompt

Penny Simeone

Technical Co-Ordinator

Simon Poole

Stage Manager

Kevin Boot

Stage Crew

Martin Coburn

Stage Crew

Michael Freeman

Stage Crew

Jon Stayte

Lighting

Maria New

Stage Sound

Kathy Post

Sound Effects

Peter Gregory

Wardrobe and Super Furry Animals maker

Sheila Bird

Wardrobe

Rosie Martin

Snail Shell and Props by

Mike Brown

Box Office

Tim Young

Box Office

Julia Young

Photography

Mark Hobbs

Piano

Mark Taylor

Drums

Kevin Gibbons

Guitar

Simeon Dawes

Bass

Richie Honeyman

Vocal Director

Tanya Allison

Choreography

Kimberley Argles

Reviewed by Donald Madgwick for The Croydon Advertiser

In pantomime, nothing is set in concrete. Traditions persist, but within them changes happen.

Theatre Workshop Coulsdon is as keen as any local company to extend the boundaries a little, push out the frontiers, while keeping within the broad framework. This year they have come up with what they describe as “a spoof of a distillation” of Dumas’ classic novel.

Richard Lloyd, who also directs and plays the chief baddie, has given us not one but four Principal Boys, in the “shapely” shape of D’Artagnan and his swashbuckling friends Porthos, Aramis and Athos.

Not that they, in their musketeering costumes, have any chance of showing off the shapely thighs for which Principal Boys are famous; but they are a fine crew all the same, singing and acting with all the breezy carelessness of their breed. So let’s hear it for Vanessa Hammick, (D’Artagnan) and Rosie Martin, Tanya Allison and Tina Poole.

Richard Lloyd himself plays Cardinal Richeleeugh (sic) with the voice and appearance of a Shakespearean grandee who can also stoop to the sneering mode of Villainy Incarnate, Steve North is his agent Roquefort, rather closer to the King Rat type of traditional panto.

Where I think this cleverly written piece may fall short of expectations is in the impact it will make on the kids in the audience.

Weaned on glass slippers and magic lamps, they seemed last Saturday rather puzzled by an involved plot taking in such arcane matters as royal adultery and the true Quiche of Lorraine.

Tim Young brings a nice mixture of geniality and regal amour proper to the role of King Louis, bringing the house down with his line; “Cardinal, you are the Weakest Link, Goodbye.” Anne Robinson could not do it better.

The musical part of the proceedings, directed by Mark Taylor, is of an unusually distinguished order.

The singing fully matches the comedy, which is mainly provided by Chris Argles as the rough and ready (especially the latter) Dame Desiree.

The Brokers’ Men (Les Hommes Brokeurs) are Simon Crouch and Heidi Bush, a willingly incompetent pair of buffoons.

No space to enumerate a large cast, but do give Lisa Lloyd a special boo for her slinky Malady De Splinter, even if delivered with an under-the breath “Phwoar!”

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