As You Like It
About the Production
Ever been young and in love? Shakespeare must have been, because this is a play that understands the sheer giddy joy of love, and the desperate lengths it can drive us to. ‘As You Like It’ is sometimes seen as a counterpoint to ‘Romeo and Juliet’ – love as comedy rather than tragedy. Rosalind is certainly no pale and wan Juliet, but arguably Shakespeare’s most memorable heroine. She has more lines than Juliet, Cleopatra, Beatrice and Portia, any of them. Maybe Shakespeare was just a little in love with his own creation. And who could blame him? She’s the kind of girl you’d want to spend time with, vital; brave; clever; funny and devoted. Oh, a bit of a liability too, of course, but fun to be around.
So, what’s the story? Well, firstly, there are two Dukes. The ‘good’ Duke, called Senior, has been toppled from power by his very own brother, the ‘bad’ Duke, Ferdinand. Senior is then exiled to the nearby Forest of Arden, where he seems to enjoy a carefree life hunting, shooting, fishing and singing. It seems that banishment has been more of a blessing than a curse. Meanwhile his brother’s court is an altogether darker place, full of gossip, scheming and suspicion. Now, each of the Dukes has a daughter, and the two girls are inseparable friends. It’s this that has initially prevented Rosalind from being exiled along with her father, but when Ferdinand finally casts her out, both she and Ferdinand’s daughter Celia run away. Of course, by this point, love has raised its head, and Rosalind has fallen for Orlando, a young man at court being persecuted by his less than pleasant older brother. Thankfully, he’s in love with her too, so when she leaves court for the Forest, he follows. However, Rosalind has now disguised herself a boy, calling herself ‘Ganymede’, and it’s in this form that Orlando finds her and in classic style, doesn’t recognise her. To make things more convoluted, Sylvius the shepherd boy is besotted with Phoebe, who in turn only has eyes for Ganymede!
Themes such as the liberating power of love, sibling rivalry and restitution, the healing force of nature and the simple pleasures of country life are all explored here, despite the plot being frankly ludicrous at times. And there’s a happy ending. Several in fact, as brothers are no longer at odds, lovers have put aside disguise and all is well. Except perhaps for Jaques, who has been melancholy throughout and decides ultimately to go off and be miserable in a monastery. You can’t please everyone.
The text has been trimmed in TWC’s version. Many topical gags that no doubt had them rolling in the groundlings back in 1599 are now impenetrable, and worse, not funny. If you’re a purist, prepare for disappointment, but it’s for the greater good.
There are more songs in ‘As You Like It’ than any other Shakespeare play. We’ve kept them and set them to traditional tunes. One of them, ‘What Shall He have That Killed The Deer’, shares many of its lyrics with ‘Hal-An’Tow’, the traditional Cornish May song. The version here is an amalgam of the two, complete with its reference to defeating the Spanish Armada, which at the time the play was first performed had happened just ten years previously. Many thanks are due to Jeannie Lewis who led the arrangement of all the songs and incidental music, and with the other musicians will be playing live on stage throughout the run of the show.
The Cast
Behind the Scenes
The Reviews
TWC Makes More Of A Lesser Work
Critics are divided as to the greatness of this Shakespeare play and I think it is one of his lesser works; nevertheless it is one that is often performed.
The setting in the spacious grounds of the Coulsdon Manor Hotel was ideal as the mythical Forest of Arden. Congratulations to the two directors, Anya Destiney and Richard Lloyd, on the movement and understanding by the large cast of the language of Shakespeare.
Much of the plot is nonsense but this did not lessen our enjoyment. Joe Wilson as lovesick Orlando was tall and excellent at portraying his affection for the attractive Rosalind, and Becka Blanchard made the most of Shakespeare’s great feminine creation. Her cousin Celia was played by Indianna Scorziello with an over the top performance that brought a comic touch to the play.
The main thrust of the plot was that wicked Duke Frederick (Bruce Montgomery) had banished his brother, the good Duke Senior (Paul M Ford), together with the latter’s daughter Rosalind, who was accompanied by his own daughter Celia. Also thrown out was Orlando whose evil brother Oliver (Sean Young) was sent to find him and so it went on. The sub-plots abounded, with extraordinary tales of country folk such as the blubbing love-sick Silvius (Connor Nestor) and the object of his desire, the feisty Phoebe (Heidi Bush).
Touchstone the Clown (John East) made comic use of a horn, Tim Young as Corin smoked his pipe furiously and Jaques (Luke Argles) gave us a graceful ‘All the world’s a stage’ monologue.
The musicians and the singers were excellent and as such this made for an amusing musical comedy.
Peter Steptoe for The Croydon Advertiser
