Dick Barton – Special Agent

Phil Wilmott

Performed at In the open air at The Woodman PH, Woodmansterne
Ten performances from July 24 – August 4, 2007 📅

About the Production

The star of the BBC’s first daily radio serial, private investigator and sometime Special Agent, Dick Barton appeared in in 711 episodes between 1946 and 1951 – the brainchild of BBC producer Norman Collins, who had of a visions of a ‘cloak and dagger soap opera’ broadcast every evening.

With his two sidekicks Jock and Snowy, Dick managed to get into some pretty tight scrapes – much to the delight of the listening audience but to the murmurings of stern disapproval from various clergymen of the day. Which seems strange, especially in hindsight, given that Dick’s adventures and last-moment escapes from deadly danger were all written and performed in accordance with a very strict code of conduct. No drinking, no swearing, no violence other than a good clean ‘sock to the jaw’ and even then only if evenly matched or outnumbered. Definitely no girlfriends or romantic associations, and no lying. If Dick needs to give chase to a fleeing villain in a conveniently available car, he must first ask the owner’s permission. No themes of horror should be used either, so no ghosts, vampires, other supernatural creatures or gorillas. (Yes, specifically no gorillas). It’s a wonder Dick managed anything more exciting than a trip to the shops.

Despite all this the show was a huge success, with, at its peak, 15 million listeners tuning in at 6.45pm each evening for 15 minutes of derring-do. The fast-paced, free wheeling adventures were just what post-war Britain was waiting for, and one-time commando Capt. Richard Barton MC was the hero of the hour. Or quarter of an hour, to be precise. However, the BBC were uncomfortable with their sensationalist success story, and when a new programme successfully debuted in a late morning slot in 1951, an everyday tale of life in a rural community, they quickly moved to replace the Special Agent with it. So for all the arch-foes and villains that Barton confronted, he was eventually killed off by ‘The Archers’.

An ill-fated attempt to bring back Barton to television in 1979 seemed to draw a far from discreet veil over any new adventures, but in 1998, Phil Wilmott wrote the musical ‘Dick Barton, Episode One – Special Agent’, part homage, part spoof, and with music from Stefan Bednarczyk, it was a roaring success when it debuted at the Croydon’s Warehouse Theatre, going on to tour Britain over the next couple of years. Since then there have been five sequels, the first two penned by Wilmott and then Duncan Wisbey took the reins

And now, it’s our turn to take on the mac and trilby of upright and uptight British manliness. Warning. The code of conduct will be disobeyed frequently.

During one of the Sunday set-building sessions for ‘Dick Barton’, Julian Cooper, who had been a well-liked part of the group in a backstage capacity for a number of years, suffered a sudden massive heart attack. Despite the efforts of both TWC members and ambulance crew to resuscitate him, Julian was pronounced dead on arrival at Mayday Hospital in Croydon. He was just 43. The play was dedicated to his memory.

The Cast

Bruce Montgomery BBC Continuity Announcer
Chris Blakeney Dick Barton, Special Agent
Richard Lloyd Baron Scarheart
Tanya Allison Marta Heartburn, femme fatale
Penny Payne Ilse Krebbe
Mike Brown Mullet
Emma Griffin Tokyo Rose
Tim Young Osman
Neil Grew Jock Anderson, Barton's Scottish sidekick
Luke Argles Snowy White, Barton's Cockney sidekick
Chris Argles Colonel Gardener
Heidi Bush Daphne Fritters
Rosie Martin Lady Laxington
Simeon Dawes Viper's Nest MC / Prison Warder / Candidate
Hayley Letori Waitress / Helga / Mrs Horrocks
Steve North Hack / Roger / King George VI
John East Hack / Wilco / Policeman
Mark Taylor Sir Stanley Fritters

Behind the Scenes

Richard Lloyd Director
Fiona Harrison Assistant Director
Kevin Boot Stage Crew
Mark Doyle Stage Crew
Philip Gunstone Stage Crew
Steve Harris Stage Crew
Robyn Doran Properties Crew
Hannah Montgomery Properties Crew
Michelle Tomas Properties Crew
Mark Taylor Music
Simeon Dawes Sound Design
Kath Dawes Sound Operation
Steve North Lighting Design
Andy Hall Lighting
Conor Vennard Lighting
Mike Brown Set and Major Properties Design and Construction
Steve Harris Set and Major Properties Design and Construction
The Company Set Construction and Decoration
Kath Dawes 'Big Ben' Painting
Gill Doran Wardrobe
Michelle Tomas Wardrobe
Hayley Letori Small Properties
Penny Payne Small Properties
Tim Young Box Office
Julia Young Box Office
Fiona Harrison House Management
Gill Doran House Management
Helen Andreadis Front of House
Sheila Bird Front of House
Vanessa Buck Front of House
Tania Gauci Front of House
Linda Gregory Front of House
Lynda Hall Front of House
Dawn Lock Front of House
Janine North Front of House
Lindsey Riches Front of House
Jane Simeone Front of House
Penny Simeone Front of House
Terri Sorenson Front of House
Alex Martin Seating
Pete Bird Seating

The Reviews

Awarded Four Stars

What I find great about the members of Theatre Workshop Coulsdon is their true humility regarding the acting profession, and the need to always give of their best. Under Richard Lloyd’s sprightly direction, and his performance as arch-villain Baron Scarheart, complete with accent, this pastiche / spoof / call-it-what-you-will, came alive.

The elderly among us probably did believe, when young, the propagandist British tradition of dauntless courage, always truthful and faithful unto death. TWC, by playing it straight, without a hint of irony, made it extremely funny. We warmed to saintly Dick Barton (Chris Blakeney) and his partial resistance to the feminine wiles of voluptuous Marta Heartburn (Tanya Allison), at The Vipers Nest nightclub. Luke Argles’ working-class Snowy was excellent as an inebriated substitute Barton, dialectically duelling with the Baron. The running gag of whether you were putty, or in Putney, had the audience in hysterics.

Bruce Montgomery’s suave BBC announcer should ensure him a job with the Corporation at any time. Jock was played ‘Scottishly’ by Neil Grew, who could also sing with his accent intact. I liked the ‘Certainly not!’ delivered with utter disdain by Sir Stanley Fritters (Mark Taylor) when Jock asked for the hand of his daughter Daphne (Heidi Bush), letting us know that class and the social divide was still going strong in Post-War Britain.

The ensemble acting was good and the entrances and exits were at lightning speed. The backroom worked hard and the sound and lighting effects were all on cue. The revolving scenery ran smoothly, making for a quick change of scene and venue.

The children loved it, and so did the grown-ups.

Reviewed by Peter Steptoe for The Croydon Advertiser, Friday August 10 2007

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